Sunday, April 29, 2007

Trust

"Close your eyes," Bernard says. He's trying to do the voice Tim uses sometimes, the one he can't help but obey. When Tim does it it's possibly the sexiest voice in the world and drives Bernard crazy, but he knows he can't do it correctly. A tiny smile plays at the corners of Tim's mouth. "Come on. Close 'em." Tim pauses just long enough to convey that he's doing it because he wants to instead of because he was ordered to and then closes his eyes.

Bernard leans forward and kisses Tim. Tim grabs him around the back of the neck and tries to pull him, to pull both of them, down, but Bernard has other plans and resists. There's no way he's going to object when Tim deepens the kiss, but he has other plans so too soon (it's always too soon, there's nothing he loves more than Tim but they can't be together 24/7) he breaks off the kiss and goes over to rummage in his nightstand where they don't keep the supplies because if they did they'd never find them in anything like a timely manner.

He finds what he's looking for and turns back to Tim and rolls his eyes because of course Tim's opened his eyes again. "You were supposed to keep them closed."

Tim shrugs and smirks a little in that way that only Tim can smirk. It's the smirk Bernard only sees when they're alone together, or with a few of Tim's other friends. Before Bernard really got to know Tim, he hadn't thought there could be an open smirk, but this smirk is completely different from his closed, public smirk. "Should have said so." He closes his eyes and Bernard crawls across the bed to him and kisses him again and slips the blindfold on.

It's like a switch has been flipped in Tim. He'd been relaxed- well, as relaxed as he ever gets- and now he isn't. He looks like he isn't sure if he wants to fight or run, and the deathgrip he has on Bernard's arm makes Bernard think he's leaning heavily towards fighting. Bernard kisses him softly on the stomach and he makes a noise Bernard hadn't even known he could make. "Okay?" he asks, and he's worried because Tim just doesn't freak out like this, he just doesn't. But he seems to be frozen. "Tim?" Bernard tries to soothe him, smoothes a hand over his chest.

Tim nods jerkily, once, but he still isn't relaxing so Bernard takes it slowly, kissing and petting and licking and rubbing every inch of Tim. "Tim," he says softly as Tim finally unfreezes a little. He can tell that Tim has issues with doing this, but the fact that he isn't pushing Bernard away, isn't removing the blindfold, but he actually trusts Bernard to get him through them, to keep him safe when he's blind and afraid. "Tim." Keeping people safe, having them trust him like this, isn't something Bernard's used to. Tim's the one with the ninja fighting skills and the urge to protect everybody he sees. Bernard's just an ordinary guy. And that trust in him is possibly the most potent aphrodisiac ever.

Saturday, April 28, 2007

A Mile in Your Shoes

Clark has known Bruce for almost as long as he's been Superman. He's seen Bruce grieve (everybody who's seen Batman has seen Bruce grieve), not just for his parents but for his children, all of them. He knows how much Bruce loved them, loves them even now, but after they'd died he'd at least been functional, if a little more violent for a period after each of the deaths. He's never seen Bruce like this.

Alfred was one of those people who you met once and you immediately liked them, immediately made a place in your heart for. Bruce had been raised by him. With exceptions that, when added together, amounted to mere months, Alfred had always been there for Bruce, had been there to comfort the nightmares which happened with disturbing frequency, had been there to cook and clean and be a parent for Bruce. Clark doesn't know if Bruce even knows how to live on his own. When he first hears the news, he winces at the thought of the bruises and broken bones the criminals of Gotham will soon experience. Then he sees Bruce at the funeral.

Bruce is as impeccably dressed as Alfred had always made him, perfectly enough that even Alfred would have been proud of his appearance…clothing-wise. Bruce has always been pale, the cost of doing most of his work at night, but now he looks as if there isn't a drop of blood in him. He doesn't give a speech, even though he's the closest thing Alfred had to a son. He doesn't speak at all. He seems to exude an aura which keeps anybody from approaching. He looks through everybody as if they aren't there, as if he has Clark's X-ray vision. When the funeral is over he leaves without saying a word to anybody. He doesn't look at Clark.

The next week, Batman never shows up to the JLA meeting. He's never late, much less absent, unless something major has happened in Gotham. When something major happens in Gotham it's on the news. There's nothing on the news. Batman always calls if he's going to be late or absent. They never get a call. Everybody is worried. Clark is the only one who's worried about Bruce's mental state rather than physical. Nobody knows Bruce as well as Clark does, now. That thought is like a knife in his heart. He can only imagine what it feels like in Bruce's. Clark promises to check up on him and heads to Gotham.

What he finds is…not good. Bruce is eating, and it seems like he's just taken food out of the refrigerator at random. Clark hopes that's the case, because otherwise Bruce is eating a raw onion by choice. He knows Bruce has never been picky about food, especially after No Man's Land, but he's never seen him eat anything quite this revolting when he has a choice. Even if the refrigerator was empty (it isn't) Bruce could go to the grocery store, or call for takeout, or something. Bruce finishes eating and turns to leave the kitchen, and Clark catches a glimpse of his face, which is just…blank. There isn't a hint of emotion on it, not even that small amount he allows when he's being Batman. It's as if he's completely emotionless. That scares Clark more than Batman ever has, more than knowing that Bruce has access to kryptonite. It scares him more than knowing that Luthor has access to kryptonite.

He goes home to Lois, but he can't get the image of Bruce out of his mind. Bruce's coping mechanisms have never been normal (his first involved dressing up as a bat, after all), but before this they were always successful. Bruce couldn't, wouldn't, ever be normal, wouldn't ever be quite sane, but at least before this he'd been able to pretend. Before this he'd been able to deal with his issues at least to the extent that he could get up and function in the world. Now, he isn't coping at all, just sitting there and staring into space.

Lois suggests he should take care of Gotham while Bruce is how he is. "When he comes out of it he'll growl at you," she says. "But secretly he'll be grateful. You should fill his refrigerator too, and if he bitches at you later about not eating onions and moldy carrots and spoiled milk you can always tell him to pay you back." She puts a hand on his arm and looks him in the eye. "Just because you're his best friend doesn't mean there aren't other people who are worried about him."

So Clark refills Bruce's refrigerator (Ma is glad to help him prepare some actual meals) and begins stopping crime in Gotham. It feels wrong to do it at all, much less without Bruce's permission, without his orders. Gotham is Batman's city. Clark isn't the only one surprised that Superman is operating in Batman's city. The ordinary criminals react the same to him as they do anywhere else, but the major-leaguers seem almost disappointed every time they see that he isn't Batman. He knows the feeling.

He's distracted at work, listening to the heartbeat of a man in another city who never moves more than he has to, whose heartbeat retains the same even pattern throughout the day. He passes it off as being worried about a sick friend; the best lie is a truth. He lets the JLA know that Batman is indisposed and will be for the foreseeable future. They ask him questions but he doesn't answer them, merely informing them that it's personal. They ask him when Batman's going to return, and he doesn't have an answer for them. Increasingly, he fears that the answer will be "never".

It's been months since the funeral. Clark's been checking up on Bruce every day. The only change in him has been the length of his unshaven beard, the appearance of his clothes, and his odor. Bruce hasn't shaved, changed, or showered since before the funeral. Clark decides that enough is enough. He can't stand seeing his friend like this any longer.

He places himself in Bruce's path back to the chair from the kitchen. He almost thinks Bruce is going to run into him, but he stops before that happens. He doesn't raise his eyes. He doesn't speak. At this point, Clark would be glad to even hear one of Bruce's territorial growls, one of the ones that mean he's messed up, anything. His wish isn't granted. Bruce is silent.

"Bruce, this has to stop," he blurts out. He kicks himself mentally, not wanting to give Bruce the chance to misunderstand anything he says. "We know how much you miss Alfred, but it's been months since you've done anything but sit in that chair. We're worried about you." The last is almost a whisper, not because he's afraid of admitting his feelings but because it can't contain the true depth of his feelings. He reaches out a hand and puts it on Bruce's shoulder. Bruce hasn't been touched by anybody in months. Clark can't go even a day without touching and being touched. He can only imagine what it's like to have nobody to hug you, to not have brushed skin to skin even incidentally for months.

Bruce's heart rate and breathing speed up. Clark knows that if he could see Bruce's eyes, they would be dilated. In a move almost too fast for even Clark to see he reaches up and grabs Clark's hand and uses it to throw Clark into the wall. There's a table with a statue (doubtless something priceless) in his way. He's so surprised at what Bruce did to him that he lies in the wreckage for a moment. Bruce turns from Clark and goes through the door into the room with his chair. Clark gets up and looks at Bruce, and he's sitting in the chair as detached as he's been these past few months, staring into space. He's also shaking. Bruce has never gotten the shakes after combat, especially something as minor as that. This is not a Bruce who Clark thinks he can fix on his own.

Clark calls the Gotham police and asks them to check up on him, saying they'd had an interview scheduled but when he'd rung the bell there hadn't been a reply, and that Bruce hadn't answered his phone calls either. "It's probably nothing," he says, the words leaving a bitter taste in his mouth. "But nobody's seen him in months, and better safe than sorry, right?" When he hears them head out to the Manor (Jim Gordon's going too, because if it turns out Bruce is all right he's the best person to put a good face on things) he keeps one ear tuned to the conversation, to their cries for Bruce as they walk through the Manor, to their shock at finding Bruce so disheveled. He hopes none of them touches Bruce, since his combat reflexes seem to kick in when he's merely touched now. He knows they won't be able to restrain him if that happens, no matter how much backup they call in. He's ready to go to the Manor at a moment's notice if he hears that happen. He doesn't want Bruce to get shot, and he doesn't think Bruce knows how to stand down when he's in that state.

He hears the sound of Bruce's fist on Gordon's nose and is halfway to Gotham before Gordon gets up from the driveway. Fortunately Gordon convinces his men that Bruce doesn't need to be handcuffed, so Clark doesn't have to intervene. He wonders why Gordon is breaking procedure for a man he thinks he's only met in passing, especially one who's just punched him in the nose. He keeps an eye on Bruce with his telescopic vision until Gordon locks him into a cell at GCPD headquarters for observation and heads home.

"I just feel so useless," he says to Lois. "I can take down criminals and set things on fire with my eyes and lift heavy things, but there isn't a single thing I can do for Bruce."

"You got him in the care of people who can help him," Lois says.

"Aren't you supposed to be the cynical one?" Clark asks. "Do you honestly think they can help him? Do you think he'd let them?"

She considers for a moment and slowly shakes her head. "Why did you call them, then?"

"Because," he sighs, "at least it's a change. And we might get surprised." He gives her a small smile. "Bruce is full of surprises."

The phone rings and he answers it because he's closer. "Hello?"

"Is this Clark Kent?" He hears papers shuffling on the other end of the line.

"Yes it is," Clark replies. "What's this about?"

"This is Commissioner Gordon of the Gotham City Police Department. Are you aware that in the event of Bruce Wayne becoming incapacitated you have decision-making power?"

Clark had almost forgotten about it, but Bruce had insisted he sign the document, "just in case". This is one of many occasions on which he's been glad for Bruce's contingency plans, even if he'd thought it was pointless at the time. After all, Bruce had already had several people sign the document; Clark was the fourth on the list. "Yes…" he says. "Why, has something happened to Bruce?" He allows the smallest amount of the concern he feels to leak into his voice.

"We were asked to check up on him, so we did, and he's currently under psychiatric observation."

"Psychiatric observation?" Clark asks. "I don't understand." He does, of course, but he still has to play the game.

"I'd like for you to come in and sign some forms to have Mr. Wayne committed."

"Is that…necessary?"

"I'm not qualified to make that decision, but in my opinion it is. Why don't you come see for yourself?"

"I'm in Metropolis, but I can make it out there tomorrow," Clark says, reaching for a pad of paper and a pencil. "Where do I need to go once I'm in Gotham?"

***

It isn't any easier to see Bruce like this in a jail cell rather than at the Manor. If he'd had any hope that the catatonia was merely a result of being in the Manor where Alfred had been for Bruce's whole life, it had died upon seeing him exactly the same in a different setting.

"Has he been like this the whole time?" Clark asks softly. It's one thing for Bruce to act like this in the Manor, but for him to just stare into space like that in such a public area…normally, Bruce's eyes would be trying to take in everything, roaming over everyone and everything looking for potential threats, unless he was pretending to be the billionaire playboy, which requires a different type of eye movement. In none of Bruce's normal modes did he just stare at a spot for hours.

"Unless he's touched."

"And if he's touched?"

"He only gave me a bloody nose, but not because it was the most he could do."

"That doesn't sound like Bruce," Clark says. "He doesn't like violence."

Gordon gives him a look that makes him wonder if he knows. "Maybe he took martial arts when he was younger and the reflexes just kicked in. I've heard stranger things."

"I suppose that's possible."

"Come on," Gordon says. "You have to fill out some paperwork."

***

"He's going to be sedated for transport for Arkham," Gordon says.

"Arkham?" Clark says. "Isn't that for criminals?"

"That's what it's best known for, yes. But it also has normal patients, and all of the best psychiatrists in Gotham work there."

"I see," Clark says, and makes a note to go down to the Batcave and see the feeds he knows Bruce has of Arkham's cameras. Arkham might have the best psychiatrists, but the guards are another matter. Even in Metropolis Clark's heard about the abuse they sometimes give the patients. Bruce can defend himself, but other than his extreme reaction to being touched he shows no desire to. There are other forms of abuse than the purely physical. "How is he going to be sedated, anyway? Since he reacts so violently to being touched."

"We never even thought of that."

"Can I try?" Clark asks. If Bruce attacks him, he knows he won't be hurt. He can't say the same of anybody else.

"It's against procedure…but yes. He obviously trusts you. Maybe he won't attack you."

Don't bet on that, Clark thinks.

***

He takes the syringe from Gordon. "I just stick it in his arm and press the plunger all the way down, right?"

"Yes."

"Okay." He steps into the cell with trepidation and starts talking to Bruce in a steady stream of words that are just there so he's saying something. He doesn't know if Bruce registers anything other than orders any more. "Bruce, I know you don't like sedatives but they're insisting you be sedated. You're going to be put in Arkham which apparently isn't just for criminals, but don't worry, I'll keep an eye on you. Okay, I'm going to use this on you now but I'm going to try not to actually touch you so try not to freak out." He carefully slides the needle into Bruce's arm without touching him. Within a few seconds Bruce slumps as if he's a puppet whose strings have been cut. Clark catches him gently before he slides off the bed. He doesn't move at the touch.

They take Bruce to Arkham in an ambulance and Clark follows in his car. At Arkham, he signs the papers to have Bruce committed. He has nothing else to do there, so he gets back in his car and goes to the Manor. He needs to contact some of Bruce's people, such as his lawyer Rachel Green and Lucius Fox, and he doesn't know how. Hopefully Bruce had an address book or a list of contact information on his computer or something. Clark isn't taking this well; he's freaking out about little things which he probably doesn't need to. Knowing Bruce, he has files on his computer with not only contact information but everything from where they went to college to their youngest child's favorite color, because Bruce is just that thorough.

Clark feels as ridiculous as he always does parking his car on the driveway in front of the Manor. It's dwarfed by the Manor and seems out of place. The Manor should have sports cars and limos parked in front of it, not a several years old Accord.

He hadn't noticed it before because he was so worried about Bruce, but the Manor feels empty. Not just Bruce-is-out-for the-day empty, but nobody-lives-here empty. Clark supposes that makes sense; it had always been Alfred who made this a home, who made it lived-in. Bruce had always spent much more time down in the Cave or on patrol (not to mention the various charity and business events he'd gone to) than he'd ever spent up in the Manor. Still, it's eerie to walk through the deserted Manor and know that he's the only person here, that Alfred won't come out of the kitchen with freshly-baked cookies, that Bruce won't step out of the shadows to growl at him for being here. He finds himself walking faster than he has to until he gets to the study and the clock and realizes that he doesn't actually know how it opens. The process has always been blocked by Bruce's body and he'd never thought to use his x-ray vision to look anyway. He'd never expected to need to get into the Cave this way without Bruce being here. He fiddles around with it for a little bit until he gets the clock hands into the right position (10:47; he doesn't have to wonder what significance that has to Bruce, not with who he is) and it opens to reveal the stairs leading down.

The Cave still feels lived-in, although Bruce has been absent from it for longer than he's been absent from the Manor. This is, perhaps, an effect of the bats, the real ones (will there be Bats ever again? Clark isn't so sure), which hang from the ceiling as they always do. The guano on the floor is a testament not only to their presence, but also to Alfred's absence. Everything is dusty here, as it is up in the Manor. Clark blows the dust off of the keyboard and wipes off the mouse. The monitors have various camera feeds and alerts displayed on them. The computers have been working as tirelessly as always these past two months, displaying information which nobody has seen. Telling the empty air about every crime committed in Gotham, as if it'll bring Bruce back from wherever he is in his own head.

Clark hasn't used Bruce's computers before, but fortunately the search function is relatively easy to find and he has Rachel Green's number in a matter of minutes (relatively being the key word; this isn't Windows, it's some sort of unique Bat operating system designed by Bruce or Barbara or Tim or all three, and he doesn't know his way around it). He decides to use the Manor's phone to call her; things might be easier if she sees the Manor's number on her caller ID. He writes down her number and Lucius Fox's. Mr. Fox undoubtedly deserves to learn about this from him, rather than from tabloids and rumors when somebody at Arkham speaks. Somebody at Arkham always speaks. He doesn't know of anybody else from Bruce's other life; Bruce never talks about it.

"Rachel Green," she answers her phone.

"Ms. Green, this is Clark Kent. You're Bruce Wayne's lawyer, right?" He knows she is, but he doesn't know how to say what he needs to say, not to a complete stranger.

"Yes…what's this about?"

"I don't really know how to say this, but he's been committed to Arkham."

"Arkham! But why? And why wasn't I contacted? How do you know about it?"

"I'm his legal guardian now," Clark says. "He had a…a thing, you were there when I signed it, and now I'm his legal guardian because he's insane. I don't know why you weren't contacted, though."

"What do you mean by insane?"

"He just sits there staring into space and attacks anybody who touches him. I don't think he's taken a shower since Alfred's funeral."

"Alfred?"

"Alfred Pennyworth, his butler."

"Oh! I remember him." She says something to somebody on her end of the phone.

"I just thought you needed to know," Clark says. "And…I don't really know what I'm expected to do. I never thought this would happen."

"Tell you what," she says. "Why don't I look in on him and we can meet tomorrow?"

"Okay, what time's good for you?"

"How about nine?" she asks. "You can drop by my office."

"Sure, I can do that. Can I get the address?"

***

Clark leans back in the chair and sighs, his calls to Ms. Green and Mr. Fox completed, and then he calls Lois and lets her know what's going on. Hearing her voice is reassuring. There are places which aren't the Manor, people who aren't as messed up in the head as Bruce. When he hangs up he notices that the Manor doesn't seem quite so eerie any more, nor so deserted. Nothing has changed but his perception of it.

He goes out for a quick flight, but there isn't anything more than a few robberies to stop, so he returns to the Cave. Might as well see if Bruce's monitors have picked up anything interesting. Bruce isn't going to be Batman for a while; he should probably familiarize himself with the computers so he can stop the crime Bruce would stop if he could, instead of just whatever he sees or hears. If Bruce ever recovers, he at least wants to be able to say that he did things the right way. For Bruce, that means doing detective work to the point of obsession. If that's what it takes then so be it. Clark isn't about to do a poor job just because it isn't how he usually works, and besides he's an investigative journalist. He knows how, even if it isn't what he's known for.

He tries to familiarize himself with the computers, but it's difficult without a guide, without somebody being there for him to ask questions about. Of course there isn't a user's manual or a help file or anything; that would be too easy. And while everything seems to be well-organized (of course), the information and the resources on the computers are extensive, with mission reports and profiles and forensic results all carefully cross-referenced and thorough and with summaries. There are records for everything from muggings to multiple-person battles, DNA information for small-time crooks as well as major foes.

Clark sleeps at the Manor that night, in one of the guest rooms, wishing he could be with Lois, that he didn't have to be here. If he didn't have to be here it would mean that Bruce was all right. He has to be here. He wakes up in the morning, makes himself presentable, and heads down to Rachel Green's office. She informs him of his rights and responsibilities and tells him a little bit about how Bruce usually manages this side of his life, or at least the parts that she's involved with. Clark is grateful that Bruce has pretended to be an idiot over the years; it means that most of the control of his affairs is already in someone else's hands, primarily Lucius Fox's. Clark has never dealt with many of the things that Bruce (or his fiduciaries) has to deal with on a regular basis. He knows he's in over his head, but he'd be even more so if he had to deal with them too.

"What you need to consider," she says, "is that he's a public figure. One way or another, this is going to come out, and you need to control that."

He understands what she's saying. "I need to call a press conference?"

"Yes. I suggest you plan it with Lucius Fox so you can spin the news so it has the least impact on Wayne Enterprises. Have you ever held a press conference?"

"I've been on the other side," Clark says, dodging the question. He's held press conferences as Superman, but not as Clark Kent. He suspects the experience will be different. Even reporters respect Superman (not that it keeps them from asking the questions, they just do it more respectfully).

"There's a difference between being the one asking the questions and the one answering them. You should probably have somebody else make the statement and answer the questions, just be there in the background."

"All right." He doesn't hesitate; he knows the kinds of questions reporters ask, can make a good guess as to what they're going to ask, and he doesn't want to face that barrage if he can help it.

"You should have it as soon as possible. Tomorrow."

"What if he recovers? Won't letting everybody know about this be bad for him?"

"To some extent. But I don't think he's going to recover any time soon. He's probably been like this for the past couple of months, right? And this isn't the sort of thing someone just snaps back from."

"I suppose you're right."

"Go, set it up," she says. "Visit Mr. Wayne, talk to his doctors."

"I will," he promises.

***

There is, of course, no change in Bruce. By now Clark has stopped half-expecting one. The hospital staff did clean him up and change his clothes while he was sedated, though, so he looks closer to presentable. The beard still isn't attractive, though.

"He's being officially evaluated today, but I don't think there's much we can do to help him," Dr. Arkham says. "Not until he breaks out of the catatonia."

"Do you think he will?" Clark asks.

"It's difficult to say. He may be like this forever, or he may break out of it in the next minute. We will, of course, have our best doctors working on his case, but I suggest you don't get your hopes up."

Clark nods, resigned. Bruce has always walked the line dividing sanity from insanity. It makes sense that when he finally crossed it, he went all the way. Bruce does (did? a little voice in his head suggests) many things in that manner. He spends an hour talking to Bruce, about nothing and everything. He doesn't know if Bruce hears a single thing he says.

***

That night, the Bat-signal goes up. Clark isn't Batman, but he's the closest thing Gotham is going to get. He lands on the roof of Gotham Central, feeling like an intruder, like he's the last person who belongs here. Here on this roof, here in Gotham, here answering a very specific summons which isn't meant for him. He lands, and the police look into the shadows, expecting one of the shadows to reveal itself to be Batman.

"It's just me," he says. "Batman is…indisposed." They look a little surprised at that, but he doesn't blame them. Until recently, Bruce wasn't alone. If he wasn't available, he'd send Robin or Nightwing. He didn't allow other heroes into his city if it could possibly be avoided. It can't be avoided any more.

Gordon recovers first. In fact, he doesn't seem very surprised at the news. Perhaps he knows who Bruce is. If he does, he's probably already figured out who Clark is. "Joker's on the loose," he says. "He kidnapped a busload of kids going home from school and is demanding that Batman show."

"Where?"

"The Happy Time Factory on 5th and Loeb. Are you sure you can handle it?"

It's unusual for people to question whether Superman can handle a non-meta, but Clark knows how tricky the Joker is. "Yes."

Gordon nods, and Clark has the odd feeling that if he was anybody other than himself Gordon wouldn't let him go without an argument. He hopes he can live up to Gordon's trust in him. He's heard Bruce tell stories about the Joker. Most of them have very bad middles. The endings, of course, are always Bruce taking the Joker back to Arkham, but that doesn't make the middle have not happened. Some of the stories made him ill just thinking about them. He can only imagine what it's like to be Bruce, to have actually seen the horrors he'd described. In this business everybody sees bad things, but there's a difference between what most of them see and what the Bats had to deal with.

Sometimes Clark wonders what Gothamites are thinking. They voluntarily stay in a city which is dirty and corrupt and in which you can be killed for an accident of naming. Gotham has gone through a plague, an earthquake, No Man's Land, and a gang war in the past few years and yet people still live here voluntarily, still consider it home no matter what happens. And they know they can get killed over something as arbitrary as a business name, but still they name their casinos "Double Down" and their cafes "Alice's" and their factories "Happy Time". Clark knows what it's like to see a city as home, but Gothamites seem almost suicidal about staying.

Clark lands and walks into the factory. He can hear the children crying and he follows that sound. The school bus is parked in the middle of the factory, the kids inside of it.

"You're not Batman!" a voice exclaims. The Joker. "Where's Batman?"

"He couldn't make it," Clark replies. "Release the children."

"I don't think so," the Joker says, and his voice isn't filled with the mirth it had been. "If Batman refuses to come out to play, I won't play either."

Clark hears a click, but he's too slow to even figure out what the sound is before it's too late. The bus explodes in a rush of heat and light and flying pieces of metal. Suddenly there is no bus and no children and Clark is splattered with blood and chunks and he's trying to avoid thinking about what those chunks used to be but it's impossible with the evidence right in front of him. Clark doesn't get sick unless he's depowered, but he vomits on the floor in the corner. By the time he recovers the Joker's gone. He's failed completely, in a way he hasn't often failed.

In shock, he flies back to the Cave (he's surprised he can find it, with the condition he's in). How could he let this happen? How could he underestimate the Joker by so much? How could he be so arrogant as to think he can defeat Batman's erratic enemies easier than Bruce can? At the cave he strips out of his costume, knowing he'll never wear that particular one again even if the blood stains can be removed. He burns it to ash with his heat vision. He doesn't need a reminder of how he's failed; the image of the children he'd failed is seared into his brain. He stumbles into the Cave's shower, grateful that for all of the items down here there isn't a mirror in sight. He doesn't have to look at his face stained red with blood except for where his tears have etched clean lines. He stays in the shower obsessively scrubbing himself for long after the water swirling down the drain has lost its color. He feels like he will never be clean again and wonders if this is why the water heater down here is so large and the hot water lasts for so long. He knows it probably is.

It's too late for him to call Lois, so he goes up and lies down on the bed he's claimed as his. He doesn't think he'll be able to sleep but after hours of staring at the wall he finally falls into a restless sleep plagued by nightmares.

***

In the morning, Lucius Fox takes one look at him and cut him out of the press conference. Fortunately he assumes that Clark's mood is because of Bruce's condition, so Clark doesn't have to make anything up. After last night he isn't sure he could manage anything coherent, much less convincing. He goes to visit Bruce instead. When they're left alone, Clark checks to make sure there aren't any hidden microphones and that nobody's within earshot and then tells Bruce about his night. He has to tell somebody, and as tough as Lois is he doesn't want to tell her about it in the detail he has to tell somebody about it. He feels nauseous just talking about it, but he can't stop the flow of words. He knows that if Bruce is hearing any of this he understands, even if he would never talk about it if he was in Clark's position. Clark's heard Bruce having nightmares. He's read some of the worse mission reports on the computers.

He stays for an hour, talking to a person so still that he might as well be an inanimate object, and when he leaves it's easier to pretend everything's all right, to pretend that last night he hadn't seen a busload of children blown up. He hasn't forgotten, doesn't think he ever will, but it's easier to pretend. He thinks he understands, a little, why Bruce is more Batman than Bruce Wayne, why Bruce Wayne is so much of an empty mask. Bruce Wayne can't be upset about things he doesn't know about, will never learn about, and although Bruce puts on a façade of stoniness, everything he does is because he cares so deeply, because every death he can't prevent wounds him, is catalogued and added to his inventory of psychological scars.

Lois calls him after she's done at the Planet, and he tells her some of what had happened last night, how ineffectual he was. "Bruce could have saved them," he says.

"Maybe you should change your strategy then," she says. "Being Superman works everywhere else but what can I say? It's Gotham, with everything that implies. Batman's rogues aren't exactly sane. If they insist on being beaten by Batman…maybe Batman should make an appearance."

"But he can't," Clark protests. "Or we wouldn't be having this problem."

"Who says Batman has to be Bruce?"

***

Clark can't believe he's doing this. There's an unspoken rule that you never dress up in somebody else's costume and pretend to be them without their permission. Relationships are difficult enough when you only know about half of somebody's life without adding multiple people with the same codename into the mix. Add to that the fact that his results are completely different from Bruce's and, well, he shouldn't be doing this. But he doesn't think anything else will work, not with the Joker. When the Bat-signal is turned on this night Batman answers the summons.

The commissioner is alone on the roof tonight, once he dismisses the woman who turns on the light.

"Commissioner," Clark says, stepping out of the shadows. He's being as much Batman as he can be, but he isn't sure he's pulling it off well enough to fool anybody, much less the people Batman has to deal with on a regular basis.

"You're not him," Gordon says as if he's looking for confirmation.

"No," Clark replies after a pause. "How did you know?"

"When he gave me a bloody nose it all just fell into place. I've only seen one person make that move before. You're his friend, then?" Clark can't keep himself from making a small sound of dismay, and Gordon smiles a little. "Members of the GCPD are hardly incompetent, despite what the papers may claim."

"I never thought you were," Clark says. "He's always had the highest respect for you. Even if he isn't the best at displaying it."

"That's the understatement of the century."

"So did you only figure it out because you know where he is, or can my acting use some work?" Clark asks. "I need to convince the Joker."

"You can't be seriously thinking about going after him after what happened last night!"

"I have to," Clark replies. "I don't think he'll play any nicer with the police than he did with Superman."

That stops Gordon in his tracks for a moment. A repeat of last night is the last thing either one of them wants. "First of all, you should get rid of that expression, or any expression which can be seen through the mask."

Clark doesn't have nearly as much experience at being expressionless as Bruce does; in either of his guises he's free to show the world what he's feeling. But he can do it if he has to, so he does. After years of dealing with Bruce, Gordon has several more useful pointers.

***

Clark returns to the Cave. The only blood on the suit this time belongs to the Joker, who's back in custody for as long as they can keep him. He was successful, but he doesn't feel good about it. Sure, he may have stopped the Joker from killing any more, but that doesn't erase the deaths he'd caused last night. It doesn't absolve Clark from responsibility for them. He falls asleep in the chair with the computer running a constant slideshow of the kids whose deaths he couldn't prevent. He gets the impression that Bruce has done this a lot in the past, Alfred or no Alfred.

He wakes up to the sound of a doorbell. He isn't expecting anybody, and he realizes he doesn't even know what time it is. He's surprised when he goes up to the Manor and the sun is streaming in through the windows because it's afternoon. The doorbell rings again. "I'm coming, I'm coming," he mutters.

He opens the door. "Lois!"

"Smallville," she says. "You look like hell."

He has no doubt that it's true. He might not have been exposed to Kryptonite, but his nights in Gotham have taken a toll on him. "Come in. What are you doing here?"

"It's my day off, remember?" she says. "And I'm worried about Bruce and you."

"I don't know how he does it," Clark sighs. "Night after night of darkness and atrocities. I've been Superman for as long as he's been Batman, but I just don't see the sorts of things he sees."

"Maybe it was a fluke," she offers hopefully. "Just the Joker being himself."

He shakes his head. "Bruce keeps very good records. I looked through some of them and…it wasn't a fluke."

Lois is his rock, his anchor. When he's in her arms he can feel comforted, even after what he hadn't managed to prevent.

***

Clark leaves Lois at the Manor and goes out to Arkham to spend another hour talking to Bruce (and a little bit talking to his psychiatrist, who has some ideas to try which Clark doesn't believe will work but you never know). He knows this is quickly becoming a routine for him. He wonders how he'll manage to do this once his personal leave is over. Clark Kent can't visit his friend in Gotham every day, since he lives in Metropolis; the commute is too long. But he also can't just desert Bruce. Sure, it doesn't look like it's having any effect, but Bruce has always internalized things. For all Clark knows, his daily visits are Bruce's lifeline.

When he gets back to the Manor (after a detour to stop a few crimes in Metropolis) there are two cars parked in front of it. One is Lois's, but he doesn't recognize the other. He walks into the kitchen (which is somehow still, as always, the most lived-in room in the whole mausoleum) and isn't entirely surprised to find Gordon sitting at the table with Lois.

"I hope you don't mind," Gordon says. "I wanted to talk to you about a few things, so I stopped by."

"I don't mind," Clark replies. "After last night I was hoping to have the chance to speak to you when we're not both working."

"I'm here to help," Gordon says, looking him steadily in the eye. "As much as I can. I owe him that much."

"As do I," Clark replies.

Thursday, April 26, 2007

Death of a Thousand Cuts

Everybody dies. It's a lesson he first learned when he was eight, when a mugger shot his parents and he knelt in their blood as he ran away. Since then he's been forcibly reminded of the lesson on numerous occasions, by everybody from random people he's too slow, too weak, too human to save (accidents he only hears about on the news after he goes off patrol, fires which are too bright for him to run into) to his colleagues (it doesn't matter that Clark came back, it doesn't stop the lesson from being driven home once again like a knife to his heart) to those he cares most about (the Case seems to stare at him, seems to cast shadows beyond what should be possible with the case's dim lighting). Each new death hits him like a blow, like a new cut on his psyche, making him die the death of a thousand cuts from the inside. Dick's death is just another cut. As is Tim's. As is Barbara's. Alfred's death is the last. The last straw, the last blow, the last cut. It isn't a coup de grace. There isn't any mercy in it.

He attends the funeral. He doesn't speak. He has no more words to speak. He doesn't know if he ever will again. It's a funeral, so nobody tries to touch him. He isn't grateful; he doesn't think he remembers how to be grateful any more. He halfway believes he would be grateful if he could. He doesn't think he could stand anybody touching him. He doesn't know what he'd do if they did. When the funeral is over, he goes back to the Manor and curls up in a chair. For the first time in a long time, he doesn't feel any desire to patrol when darkness falls.

He doesn't go to the Cave any more. He doesn't patrol or go to the JLA meetings or figure out the Riddler's newest clues. Some detached part of himself knows that people are dying because he doesn't, but he can't bring himself to care. He doesn't go to Wayne Enterprises or to charity fundraisers or answer the phone. That same detached part of him notes that Bruce Wayne has always been a flake, that he won't be missed. He can't bring himself to care about that. He isn't grateful. He isn't ungrateful, either.

Every once in a while his stomach growls and he'll stumble down to the kitchen and eat whatever comes to hand, cold. It all tastes like ashes, anyway. After a while the detached part of him notes that the food he's eating almost certainly wasn't in the refrigerator when Alfred died. The food he eats is no longer moldy and bears a distinct resemblance to the food found at the Kents' farmhouse. Clark, the detached part of himself thinks. He knows he would normally be upset to know that Clark is in his city. Bats are territorial. Is he a bat any more? He doesn't know.

He's heading back to his chair when there's something in his way, the red, yellow, and blue almost hurting his eyes after so much time in the dim colors of Wayne Manor. He hasn't bothered to turn on any lights since he got back, so it must be daytime. He doesn't raise his eyes, just waits for the obstacle to move. He doesn't say anything.

"Bruce, this can't go on," the obstacle says. He doesn't connect the name to himself. He isn't Bruce any more. Bruce is from before. He doesn't know who he is anymore. Maybe he isn't anybody. It would almost be a relief. If he could feel anything. He waits for the obstacle to move.

The obstacle doesn't move. "We all know how much you miss Alfred," it says. "But it's been months and you haven't done anything but sit in that chair. We're worried about you." Its voice is filled with concern. He has always known that Clark would worry about him, but right now he can't bring himself to care.

The obstacle raises an arm and brings a hand down on his shoulder, and then he does care, because he kills everyone who he touches, everyone he allows to get close. He killed his parents, and Jason and Barbara and Vesper and Dick and Tim and Alfred. He can't allow anybody to get close to him. There's a crack somewhere to his side where there used to be a table and a statue but now there isn't, and the obstacle is out of his way. He's shaking and he goes and curls up in his chair again and stares blindly out the window. He hears Clark get up. After a while he hears him leave.

Some amount of time later he hears the doorbell ringing and knocking on the door. Nobody answers the door, though, because there isn't an Alfred anymore. He wonders who's at the door. He wonders if they'll go away. When they'll go away. He doesn't move. He doesn't blink.

He hears the door opening and the police announcing themselves. He hears Jim. He hasn't seen Jim since he took a leave of absence after Barbara's death. He wonders how long Jim has been back. He wonders if he's noticed the absence of Batman. He doesn't want Jim here. Jim's already too close to him. No matter how hard he's tried to keep their relationship purely professional, Jim is somebody he feels close to. Jim is one of the few people he feels close to who are still alive.

He tracks their progress through the Manor by their calls (apparently they're looking for him). He doesn't respond to any of them. The detached part of him knows that he should be worried that they'll find the Cave, but he can't bring himself to care.

Eventually one of them finds this room, and him, and then they're all clustering around and talking to him and waving hands in his face. He doesn't do anything until Jim asks him if he can stand up. He thinks about it for a moment. He doesn't want to stand up, doesn't want to do anything, but he can see the alternative would involve them touching him. He doesn't want anybody to touch him. He doesn't want anybody else to die because of him. He stands up.

Jim reaches toward him, to touch him, to lead him by the arm, but he flinches before the hand gets near him and Jim drops it and asks him to come with them instead. That's all right, he doesn't have to touch anybody, so he follows as soon as he processes the request. He doesn't really care what happens to him as long as he doesn't have to touch anybody, as long as nobody touches him. They lead him out front and after a moment of debate open the rear door of Jim's car instead of that of the squad car because of who he is, and Jim gestures for him to get in so he does, but then Jim does the hand on the head thing and he can't stand it, can't stand the thought of being touched, and he loses control and then Jim isn't touching him anymore, he's on the ground and his nose is bleeding and he's looking at him strangely. He was told to get into the car so he does.

Everybody except Jim wants to put handcuffs on him then, and he shudders at the thought of how they'd have to touch him to put them on. But Jim stops them and says it looks like it's just being touched that causes a problem and that he isn't a criminal and they need to treat him with respect. He doesn't know why Jim says that after he gave him a bloody nose and knocked him down but he thinks he almost feels a glimmer of gratitude through the numbness. Nobody tries to put handcuffs on him.

Jim sits in the back with him and talks to him throughout the drive, but he doesn't hear the words. He knows he could look out of the window or calculate from the turns where they're going, but he'll find out when they get there anyway. He's been to all of them in the past, as Batman. He's watched video feeds from them, mainly of escapes, often enough that he can probably distinguish them by the tiling. He doesn't really care where he's headed. He doesn't care why.

He gets out of the car when Jim opens his door, and trails him into the building. He's been here before, but for the most part he's only been up on the roof. The cells are familiar enough, though; he had, after all, spent time in one of them when he'd been accused of Vesper's murder, before he was transferred to Blackgate. It is, perhaps, ironic that both times he's ended up here have been because of the death of somebody he loves. He sits down on the bed and does nothing. The cell door closes and he hears footsteps moving away. Jim is violating procedure by not fingerprinting him.

After a time, a tray of food is shoved through the door, and he eats it as mechanically as he'd eaten the food in his refrigerator. It tastes the same to him, although he remembers that the last time he'd been in here only the cast-iron stomach he'd needed during No Man's Land had allowed him to eat this food. Prisons are not known for their gourmet food. He sets the tray back on the ground when he's done. After a time a guard opens the door (another covers him from the door with a taser) and, grumbling about "creaking crazies", removes the tray. He doesn't move.

The lights shut off, presumably at the usual time, and he must have fallen asleep because a guard is beating on the bars of the door and telling him to wake up and stop yelling. He hasn't remembered any of his dreams since Alfred's death, but he knows it's just more of the same nightmares he's had since he was eight. After that, he doesn't sleep. He's never slept much, anyway.

It's daytime when Gordon stops outside of the cell with Clark. At first he can't think of any reason Clark would be there. Hovering outside, keeping an eye and an ear on him, yes. Here, with Gordon, no. Then he remembers the papers he'd insisted Clark sign, just in case. He wishes he hadn't, now. Putting Clark in charge of him only makes it more likely that he'll get better. He doesn't want to get better. Being "better" only means he hurts all the time. Right now he doesn't feel a thing, as if he's surrounded by layers of soft cotton, cushioned from the impact the world has always made on him.

Clark comes in later, and speaks to him softly as he very carefully doesn't touch him and slides a needle into his arm and depresses the plunger. He feels himself go limp as the blackness he's spent so much time in slides over his vision like a blanket, like his cape, like the night falling over Gotham.

***

He wakes up in a different room and doesn't wonder where he is. He's watched feeds of Arkham's cells enough that they're burned in his mind, not to mention his visits for other reasons: escapes, the occasional interrogation, chess with Harvey. He'd been teased, before, that eventually he'd end up in Arkham. He doesn't find any humor in the prediction coming true. It's just another fact, like everything else in his life now.

Clark comes and talks at him for a while and then leaves. He doesn't think he has a very good grasp of time right now, but it seems like he stays for a long time. It fits perfectly with Clark's personality, so he probably did. After Clark leaves, he gets fed. Later, orderlies come in and try to make him go somewhere by grabbing him. Eventually they manage to sedate him, but not before he breaks at least one arm.

This establishes a pattern. He can't be certain (nor does he care) that it follows a daily cycle, but it seems logical. Clark comes and talks at him, he ignores Clark, the orderlies try to take him somewhere and end up sedating him. Eventually they stop trying to take him places. Sometimes people come into the room and try to get him to talk (or just talk at him; he doesn't pay attention). Sometimes he's given pills to swallow, so he does. He could figure out which ones they are by their appearance, but he doesn't bother.

He stares into space and doesn't think much. He doesn't feel at all.

Sunday, April 22, 2007

Coffee

There's a knock on her door and she looks up from the ever-present paperwork. Nobody who works here bothers to knock. "Hey."

"Hey…" she says, trying to get him to say something. She has no clue who he is.

"I don't know if you remember me, but we met at the hospital."

She remembers him now. "Dick's friend." The one with the suspicious list she'd jotted the (useless) license plate number down on the back of.

"Jason." He fidgets a little. "Um, can I buy you a cup of coffee? Or something?" It's obvious he's asking to get them out of here.

"I can give you fifteen minutes." She stands up and they head out. She takes a moment to tell somebody she's going for coffee, just in case she's needed.

He waits until they're out of the precinct and on the sidewalk before he speaks again. "I just- how's Dick?"

"You haven't been speaking?" she asks. It seems odd, since they'd seemed pretty close at the hospital.

"Dick learned how to wall himself off from a master," Jason says. They stop talking until they get their coffee. "He even destroyed all the tracers."

She almost spills her coffee on herself. "You planted tracers on him?" Who plants tracers on their friends? For that matter, since when do civilians have access to tracers? Wait, no, scratch that. She knows what Dick used to do at night.

"Tracers have always been a way of showing we care in our fam-" he cuts himself off. "Uh. Circle of friends."

"You were going to say family," she accuses. He looks embarrassed.

"It's certainly dysfunctional enough to be one," he mutters into his coffee. "We aren't related."

"But you plant tracers on him and come to check up on him when he finds them?" She raises her eyebrows.

"Oh please," he says. "Some of those tracers were there for years. You think he didn't notice them in all that time? And…we're worried about him. He's cut himself off from everybody: us, Roy, Barbara…his mobility's always meant a lot to him."

"You think he might…" she doesn't complete the thought.

"No." His denial is swift. "This is hardly the first setback he's run into. If he was going to…he would have before now. We aren't worried about that."

"What are you worried about, then?" she asks, dreading the answer because she doesn't worry about it, so it will just be one more thing to add to the list.

"We're worried about him…not being Dick anymore," he says slowly, as if feeling the words. He stares into his coffee. "Dick's always been so physical and, and, friendly. And now he can't be so physical and he's cut himself off from his friends, and we don't know if it's just temporary or if this has changed him." He looks like he wants to bolt from so much discussion of feelings but is holding himself in place through sheer willpower.

She takes pity on him. "I don't think I've known him as long as you have," he nods in confirmation, "but in my opinion it's just temporary for the most part."

"For the most part?" He has a sick look on his face like he knows what she's going to say but wants the confirmation.

"So much of what makes Dick Dick is his inability to sit still. I'd be surprised if he stayed the same after this."

He nods. "That's what we figured, but we're all way too close to him to be objective about him."

"I'm his friend too," she rebukes.

"There are friends…and then there's family," he says. "Chosen or not, related or not." They walk in silence and it seems the subject is closed.

"So, why did you need night vision goggles and rope?" Amy asks, partly curious about what false answer he'll give and partly amused. If he wasn't friends with Dick…as it is, she feels secure in her guess that he isn't doing anything that hurts people, no matter how illegal it is. She wonders if he's a superhero.

"Nighttime mountain climbing," he says, deadpan. "You don't run into as many people that way."

He's definitely a superhero.

Tuesday, April 17, 2007

Watching

They watch him from a distance.

They've never, even when they were kids, been close to him. They'd worked closely to him, when they still wore capes and played rooftop tag, but nobody could ever call that close. Not on more than a surface level. Batman and Robin were partners, but Bruce and Dick, or Jason, or Tim or Stephanie…Bruce didn't exist, hadn't existed since he was eight and knelt in his parents' blood. Nobody was close to Bruce but Alfred, no matter how hard they tried, no matter how much they deluded themselves into believing they were friends.

At first they kept track of him through Alfred, his dry comments about Master Bruce not eating enough comforting in their familiarity. But Alfred has been old for as long as they've known him, and one day they have to find a new source of news about him. They haven't cut off contact with their old friends in the community; they've allowed themselves the luxury of having friends instead of merely allies, friends who know who they are when they aren't wearing the red and green. So for a time they're reassured by the usual complaints of Batman's allies (and Clark's non-complaints), until one day, after rescuing a kidnap victim, he disappears completely.

He still appears as Bruce Wayne, but increasingly rarely as he doesn't need to throw people off his scent, as there's no longer any reason to pretend to be an idiot billionaire playboy.

They wonder about him, sometimes, wonder if they should pick up the phone and call him at Christmas, if they should show up at the graveyard when they know he'll be there…but if they did, they wouldn't have anything to say to the legend, to their legend who is no longer anything more than an old man.

House Crossover

Dick steps out of the coffee shop into the bright sunlight, balancing the tray of coffee in one hand as he pulls his sunglasses out of his pocket and almost gets run over by a teenager violating the no skateboarding on the sidewalks law. Dick smiles. On days like these he's glad he doesn't have to chase after any lawbreakers he sees anymore.

Afterward, it never feels like time had gone quickly, or slowly. Perhaps because he'd been in similar situations before. He saw the car coming, just a bit too fast for this road, which isn't unusual, and he doesn't think anything of it until the window rolls down and he sees the gun. By then it's too late to do anything but drop the coffee before bullets are flying. He memorizes the license plate number, although the family car detritus in the windows lets him know the car is stolen and it's probably futile. Then he's falling, and why is he falling? He lands on his knees and blacks out from the pain.

***

He comes to in a bed, the antiseptic smell of a hospital in his nose. He opens his eyes and stares at the ceiling for a while. After a few minutes of staring at the ceiling and seeing patterns in the dots on the ceiling tiles (and finding them way more interesting than he should), Dick realizes that he must be on painkillers. Morphine, probably. He wonders why. He must be pretty injured to need this much; Bruce has always been careful about drugs. More so after Roy. Dick giggles at the pun of Speedy on drugs. Then he remembers that he doesn't work with Bruce any more, hasn't even spoken to him in years. He's a BPD detective, why is he in the hospital drugged up to his eyeballs?

He drags his gaze down from the ceiling. It seems to take an eternity to drop it low enough to see that he's alone in the room (one wall, the one with the door, is glass, he notes), and that it's his leg which was injured. Somehow. He can't seem to concentrate for long enough to remember how.

He can't even concentrate long enough to stay awake.

***

He wakes up and a nurse is there. Maybe a doctor. Pretty, anyway. He tries to speak, but his throat is too dry and it comes out as a rasp, which is possibly a good thing because he doesn't know what he was going to say. "You're awake!" she says, and brings him a cup of water with a straw. "How do you feel?"

He sips, and the cool water is soothing on his throat. "Like you've got the morphine drip too high."

She checks the settings on the infusion pump and adjusts them. "It was just on the normal amount, but I've lowered it so if you need more just push the call button." She makes a note on his chart.

"Thanks," he mumbles and retreats into sleep again.

***

Dick opens his eyes. He's clearheaded for the first time since the drive-by shooting (he actually remembers the shooting), and he isn't in pain, although he knows that he will be once he gets off the morphine. Both Jason and Amy are in the room and he groans mentally at the thought of them interacting. He wonders how long they've been there.

"Dick!" Amy exclaims, getting up. "You're awake."

"So it would seem," Dick says. "Did you get them?"

"Unfortunately, no," Amy replies. "Nobody even noted the license plate number." She makes a noise of disgust.

"NDB 31V," Dick tells her and she checks her pockets for paper and pencil. "But it was stolen so I don't think you'll have any luck."

Jason hands her a piece of paper and a pen from his jacket pocket. "Ignore the list." She doesn't, of course, and her brows raise at Jason's shopping list for his latest heist. Dick hopes there isn't anything too incriminating on it (he knows there probably isn't; if it was, Jason would have put it in code). She doesn't say anything, though, just turns it over and writes down the license plate number.

"Where are Tim and Steph?" Dick asks Jason.

"They have regular jobs," Jason replies. "Have to arrange time off, you know."

"What, Bludhaven isn't close enough to Gotham that they can just come visit?"

Jason clears his throat and shuffles his feet. "You're in Princeton."

Dick is confused for a moment before he figures it out. "Bruce?" Jason nods in confirmation. "I thought he'd stopped doing that sort of thing, at least to me."

"Apparently you becoming a cripple is enough motivation to bring him out of retirement." Jason's eyes glint with amusement in spite of, or perhaps because of, the fact that he knows exactly what it's like to deal with Bruce when he's like that.

Dick draws in a breath. "It's bad?"

"According to Babs," Jason says. Dick closes his eyes momentarily. That means it is bad.

***

Objectively, he hasn't been in the hospital for long, but subjectively it's been an eternity. So when he wakes up to the sight of hospital food instead of Alfred's food, and crutches within reach (okay, so they would have been out of reach for anybody other than him) he takes it as an opportunity to escape from the bed where he's been confined as effectively as if he was tied up by Two-Face (more so; Two-Face had never been very good at tying him tight enough). He stops the IV drip and gingerly removes the needle from the catheter in his arm, knowing that he won't have a lot of time before he begins to really feel the pain. Still, it should be long enough to find out who stole his food, he rationalizes.

Dick's had to use crutches before, so it only takes him a few seconds before he gets the hang of things again, before he sets up an easy gait which jars his knee the least. Then he begins wandering (can you really call it wandering when it's more like purposeful covering of as much ground as possible?) throughout the hospital, looking and sniffing for his food. He decides to avoid the stairs, although he's climbed them before with crutches, because his knee's bad enough already. He doesn't want to make it worse. He realizes the irony of that statement when he's hobbling about on crutches before they've even been officially been given to him. He's pretty certain that the hospital staff would rather he stayed in bed, or in a wheelchair if he must move, but he's never been any good at staying still.

He spots his doctor at the end of the hallway he's currently in, so he heads into the closest room. "Sorry," he starts to say to the occupants (a man in a coma or asleep and another in the chair), but then his nose catches up to his brain. "You stole my food!" he accuses the man in the chair.

"Quiet," the man replies. "Can't you see Coma Guy is sleeping?" He hoists a forkful of pie.

"Don't you dare," Dick warns.

The man puts the pie into his mouth and chews with very obvious satisfaction. "Still warm."

"Of course it's still warm, that's why the container's heated," Dick snaps. He probably shouldn't be so irritated over something so small (Alfred sends food out with everybody as well as when he visits himself) but his leg is starting to ache. He closes his eyes, does some breathing exercises, and tries to think about it rationally. It's just food. He's only in here because he didn't want to get caught by Dr. Cameron. His knee hurts. He sits down in the other chair and puts his leg up. "You can't just steal people's food."

"Really? Wilson lets me do it all the time."

"I'm not Wilson," Dick says. "Whoever he is."

The man starts beeping…oh, apparently that's a beeper. "Gotta go," the man says, standing and walking out with the help of a cane. "Have fun carrying those containers with the crutches."

***

Dick doesn't have too much trouble getting back to his room with the containers, all things considered. He has a lot of experience in carrying things, and in using crutches, and somebody in the elevator is willing to hold them for him until they get to his floor.

Unfortunately, it seems that his escape has drawn some attention. A cluster of four people, three doctors and the man who'd stolen his food, is outside his room. He tries to sneak around them without getting noticed, but one of the containers falls to the floor with a clatter and they all look at him.

He clears his throat. "Uh, can you get that for me?" Dr. Cameron bends over and picks it up.

"You idiot!" the man who'd stolen his food exclaims. "You got shot in the knee two days ago and you're traipsing around the hospital to find your food? Do you know how much pain you're going to be in? That morphine takes a while to work, you know."

"I know," Dick says mildly and goes into the room to lie down on the bed. The man doesn't follow.

Dr. Cameron reattaches the IV. "Sorry about Dr. House."

"He reminds me of someone I know," Dick says. "Sort of."

"Don't get up again," she tells him, and moves the crutches over to the other side of the room.

"Hey," Dick says as she's leaving the room. "Tell Dr. House that if he wants more of my food he'll have to come get it."

"Dr. House doesn't see patients," she says automatically.

"His loss."

The next meal Alfred sends has enough for Dr. House too, and it doesn't go to waste. Dick finds it kind of comforting to know that Bruce isn't the only person who's difficult to deal with, and being around Dr. House reassures him on that score.

Monday, April 16, 2007

Stargate SG-1 Crossover

There's a flash and suddenly Tim is…elsewhere. He takes in the grey walls and floor with painted lines of direction and decides he must be in a military installation. Although perhaps he could have figured that out from the guys in military gear with guns pointed at him. He acts on reflex and takes out half of the squad, then decides to be safe and take out the rest. He's standing over their groaning bodies when this guy appears at the end of the hall and points something at him. He's able to recognize it as some sort of weapon, but the fact that he can't recognize the type means that it's something alien. He has a batarang out and is about to throw it when it all goes black.

***

He wakes up strapped to a bed and keeps his eyes closed for a few more minutes to see if he can pick anything up, but he knows he can't pretend to be asleep successfully for much longer; they undoubtedly know how long the stun gun affects people. He doesn't hear anything other than a few medical noises so he opens his eyes. The view is no more interesting this way (the ceiling doesn't even have any interesting stains on it), but he's not going to quibble. Far better to wake up held down by medical restraints he can get out of without much difficulty than face-down over a vat of boiling acid (he'd never understood why the acid was always boiling. It seemed redundant and possibly counterproductive), restrained by somebody who knows how easily he can escape from most common restraints. He does his usual post-kidnapping once-over of himself. He can't do much of a visual inspection of himself, strapped down as he is, but it doesn't feel like any parts of his uniform have been removed. He wonders if anybody had tried to remove it, but judging by the lack of people unconscious next to the bed he was on they either hadn't or had tried long enough ago that they'd been taken away before he'd woken up.

"This isn't just some kid playing dress-up," a voice says somewhere outside the room he's in. "Or at least, if it is just a kid playing dress-up, it's a very rich kid with access to high-grade military equipment."

The door opens and two people enter, a woman in a lab coat and a general (her nametag reads Fraiser and his reads O'Neill). He must be in a secure facility, then. Random insecure facilities don't have generals come in to look at their unexpected visitors, no matter how unexpected they might be. They also don't usually have people with alien technology stun guns, but that's a little less predictable.

"We need to give you an X-ray," the woman says, and reaches for the suit. "So this needs to come off."

"I don't suggest you do that," Tim says mildly.

"Why not?" the general asks.

"It's booby-trapped. If you don't disarm it first you'll get tasered, which isn't one of the most pleasant experiences in the world. And I don't think you know how to disarm it." Tim is calm; this is nothing new to him, and he could escape without even dislocating anything. He's only sticking around to do a little reconnaissance. And maybe a little (okay, a lot) because this is fun. He doesn't tell them that the suit only has one charge.

"What kind of a person sends a kid out in a booby trapped Halloween costume?" The doctor asks. Her tone of voice is identical to Leslie's when she does the morally-outraged thing. In fact, Tim once heard her saying almost exactly the same thing to Bruce. He doesn't laugh, of course, even though he wants to at the similarities. Neither of the others picks up on his amusement.

"It's not my fault people keep trying to get in my pants," he says, channeling Dick and giving the Official Robin Grin. It would almost be funny if it wasn't so true, after all. And even though Tim never grins, Robin always does. Tim is nothing if not dedicated to the ideal of Robin, even if he has to work at it while it had come naturally to Dick, to Jason. They're looking at him strangely, because he's (they think) their prisoner, and prisoners aren't supposed to crack jokes and grin at their captors. They're supposed to yell at them, or cower from them, or put up an unconvincing front of bravery. "Look," he says, sitting up (he had freed himself while they were talking), "I have no idea why you want me to get an X-ray, because I assure you I don't have any broken bones at the moment, but if it'll make you feel better I'll remove the tunic and let you take one." He disarms the belt and removes the tunic and cape. "I'm not going to remove the belt or tights though. I have to keep my virtue intact somehow." He sets the tunic down on the bed and tries to ignore how much the doctor is staring at his scars.

The general comes over and inspects the tunic, looking at him for permission before poking at it. "Kevlar?" he asks.

"With ceramic plates for impact dispersal," Tim replies.

"And the cape?" He's fingering the material.

"Partly Kevlar, partly…not." He knows exactly what it's made of, but doesn't want to share the details. They probably assume he doesn't know. He grins. Being underestimated comes in handy sometimes.

"X-rays," the doctor reminds the general. Her unending stare at his scars would probably be more disconcerting if he hadn't been stared at, glared at, by experts. Hers is so far from holding a candle to those stares that it doesn't even make him feel naked. He grins at her as they leave the room and pick up a pair of guards as escort. It isn't as if he can't take them out in no time flat, anyway.

***

After the X-ray Tim's taken to another room altogether, which looks like it's made for VIP guests and confinement if need be (both?). Fortunately they allow him to stop and get his cape and tunic from the original room on their way to his new room (of course he'd memorized the route from there to the X-ray room), so as he sits in one of the chairs his cape falls comfortably around him. There really isn't much to do in this room, so he takes a few minutes to spot the cameras (he actually spotted them all in the first few seconds, but he continued his visual inspection until he was sure) and begins playing mental chess with himself.

Tim doesn't, in the normal run of things, like to play chess. Most people are hilariously awful at it, and playing down to their level to draw the game out for a little bit longer sucks the fun out of it. The few people he knows who play at his level have better things to do with their time, like fighting crime (usually, so does he). And he's never been able to get into playing against himself because he's just so predictable to himself. Mental chess is different, like it's a form of meditation. Remembering where all the pieces on the board are takes enough effort that Tim can't plan his moves as far in advance as he can otherwise, and makes him actually make errors sometimes, makes him unpredictable to himself.

He's almost managed to put himself in checkmate when the door opens and a man with glasses walks in. "Hi, I'm Dr. Daniel Jackson," he says, extending a hand for Tim to shake. "Jack told me to come down here and, you know, entertain you."

"Robin," Tim introduces himself. Dr. Jackson raises an eyebrow at that for some reason, but doesn't comment on it. "Who's Jack?"

"Oh, sorry, I meant General O'Neill," Dr. Jackson says. "He said you looked bored."

"Mental chess isn't the most exciting thing to do with my time," Tim admits. "Are you a doctor of medicine, or what?"

"Oh, no, archaeology." Tim twitches internally at that (his father had been an archaeologist) but doesn't, he thinks, show anything physically. He almost asks what period, but that would lead to the inevitable how much do you know about archaeology and how do you know that much about it questions. Which would lead back to his father.

"How do you plan to entertain me?" he asks instead. "I can't imagine a top secret military facility having much in the way of entertainment."

"How do you know it's a top-secret military facility?" Dr. Jackson asks. Does he even realize how much he's giving away with that question? It's obvious that he doesn't think Tim broke in, because military facilities are pretty obviously military facilities from the outside (he supposed it could be disguised somehow, but not with that body language). Which means he has evidence (if not actual experience) of alternate dimensions or sight-unseen teleportation.

"I Yahoogled it," he says with a grin.

"Yahoogled…?"

"Do you not have the internet?" Tim asks. "Yahoogle's the biggest search engine, everybody uses it."

"Ah. Right, right," Dr. Jackson says hurriedly. It's obvious that Yahoogle doesn't exist in this universe.

"But seriously, do you honestly think that people can't figure out that this place is a top-secret government facility just because they never see the outside of it?" Tim asks. "I mean, I've been in top-secret military facilities before, and the décor really doesn't change between them. The paint's even the same color. And most normal military facilities don't have generals come to see their unexpected visitors, or guns that knock you out which aren't tasers and don't operate on the same principles because the suit's insulated so tasers don't work on me. Do I need to continue?" He could continue all day, although after a while he'd venture into speculation.

Dr. Jackson looks a little green. "Uh…why were you in a military facility before?"

"Most recently, an elite group was trying to recruit me," Tim says. "But I decided against it."

"Recruit you?" Dr. Jackson says, confused. "How old are you?"

"Seventeen," Tim replies. "But that was when I was sixteen, right before everything got crazy." He considers for a second. "Crazier, anyway."

Dr. Jackson nods in understanding, and Tim wonders what he actually does. Archaeologists don't usually have much experience with things being crazy and getting crazier. Or spend much time in secure military facilities. "Why did they want you?" he asks. "I mean, no offense, but normally they wait until you're old enough to enlist, and then they just send out brochures and stuff instead of taking you on tours of top-secret facilities."

"I've been doing this since I was thirteen," Tim replies. "And I'm good at it. I mean, I'm still alive, right?" Though Jason had been good at it too, and he'd still died.

"Doing what?"

"Being Robin." Dr. Jackson looks at him like he's never heard of Robin before. Right, alternate dimension. "Catching bad guys, stopping crime, working with Batman. That sort of thing."

Now Dr. Jackson's looking at him like he's crazy. "Batman is fictional," he says.

"Maybe here he is," Tim replies. "Because I've obviously ended up in an alternate reality."

Dr. Jackson really isn't as surprised as he could be. "Why aren't you more upset?"

Tim shrugs. "Well, either it's possible for me to get back, and I'll need your help to do that, or it isn't possible and I'll need help to establish a new identity because I don't have any contacts in this universe. Also, this is way better than fighting my creepy older evil self."

"My help?"

"The yous were plural, but I suspect you have at least some say in what happens to me." He waited, but Dr. Jackson seemed too stunned at his relaxed attitude towards dimension-hopping to say anything. "So I'm fictional here? There are books about me?" That was kind of cool, actually.

Dr. Jackson snaps out of it. "Huh? Oh, uh, no, actually. Comics and movies. And the movies are more about Batman, really. Sorry."

"Hey, that's cool too," Tim replied. "I noticed there's a TV and DVD player here. Is there any way I can get a hold of those movies?"

"I bet Teal'c has them," he said. "He's really big into pop culture."

"Teal'c?" Tim says. "Interesting name."

"Teal'c's an interesting person."

***

Teal'c is an interesting person, and not only because of the strange decoration on his forehead (he's gotten used to aliens enough that their appearances no longer shock him, so he has little trouble refraining from staring at it. Still he wonders what it's made of and how it's attached). Teal'c seems to be immersed in pop culture; he has a large DVD collection and reads tabloids and collects comic books. But he doesn't seem to be quite normal. Not that Tim really knows what the standards of this universe are, but the others he's met have seemed more or less normal. Teal'c actually reminds him somewhat of Batman (not of Bruce, really, but of Batman) with his reticence, with his unconscious fighter's stance.

The Batman movies are hilarious, and not just because he knows Batman and Gordon and everybody (though that's a large part of it). They really aren't that good even without the various critical views he brings to the table. Still, it's slightly disturbing to know that there are movies in this universe which come so close to the truth. They know that he's Bruce. They know about Dick. They even know about Alfred, about how important he is. And he realizes it's an alternate reality but he's panicking a little thinking about all of those people who know who they are (interdimensional travel being what it is, any one of them could end up in his universe at any time) and the movies really aren't as hilarious as he'd thought at first.

Before the start of Batman Returns he meets Lieutenant Colonel Sam (presumably short for Samantha) Carter, who apparently does some sort of research (Dr. Jackson teases her about finally getting out of the lab). Tim wonders how she's so close to Dr. Jackson and Teal'c, since they seem to have little in common. Perhaps in this universe people have more than one full-time job even without being superheroes, because he doesn't know how Dr. Jackson is so close to Teal'c and Lt. Carter, either. More likely they're deeply involved with whatever makes this facility so important, which means that if he asks it'll just be uncomfortable and they won't tell him anything true. He doesn't ask, but watches them as much as he watches the movie.

Eventually General O'Neill comes and joins them too, and he fits in with this group not like he's their commanding officer but like they're part of a team, like the Titans or the JLA but with less wariness. "Isn't this hot?" the general asks, holding up a corner of his cape, and he's a little tense because normally people know better than to touch him, but not as much as he could be. He's used to Bart, after all.

"Only when I have to run into burning buildings," Tim replies, amused. "I've gotten used to it. And it's very useful during winter." He gently pulls his cape out of General O'Neill's hands like he does with Bart. Did. Bart isn't the same any more.

"Run into a lot of burning buildings, do you?"

Tim rolls his eyes, knowing they can't see it through the lenses on his mask. "As I told Dr. Jackson, I'm clearly from an alternate reality in which Batman," he nods at the screen, "is real and I'm Robin. Thanks to the joys of the multiverse, to you we're both fictional. For all I know you're fictional in my universe."

"You don't know?" General O'Neill asks.

"The job doesn't exactly leave a lot of time for fiction," Tim points out. "Besides, if you are fictional in my universe, you could be in anything from a top movie to a short story a six-year-old wrote and that never got published. Theoretically, everything that can happen has happened somewhere in the multiverse."

"Not this again!" O'Neill exclaims. "I hate alternate realities."

"Better than time travel," Tim says. "At least with dimensional travel you don't have to invent new tenses just to be understood. Or see just what your future could be."

That leads into a discussion of which of the science fiction clichés they'd lived was the worst (it's disturbing how many they'd all dealt with), which leads into a general comparison of experiences, with each of them divulging as little as possible (they may know who Bruce is, but the movies aren't very accurate; Tim prefers to keep as much to himself as possible. They are constrained by the classification of their adventures and the fact that they only believe him about 80% if Tim is any sort of a judge of these things). Tim does pick up that this reality's version of mind control is done by physical beings implanted in humans, which explains the X-ray.

Eventually the movie night breaks up and Tim heads back to his quarters with a stack of comic books. He sits down on the bed and opens one of them at random…to a page of his father's cooling corpse, a boomerang buried in his chest. He gasps and can't hold back his reaction. The picture, although a drawing instead of the real life it had been when he'd seen it before, brings all of the emotions he'd felt flooding back, like it's happening again. He shoves the comic books off of the bed (part of him wonders if Teal'c will be mad, he's almost certainly damaged at least some of them) and huddles up in the corner, yanking the mask off (it hurts, you aren't supposed to do that without using the solvent first, but it's nothing to his emotional pain) so he can cry. It doesn't matter if they can see him through two of their three cameras. He's fictional in this universe.

***

The next day Tim asks to go to the base's gym. He's dressed in the civvies which were (pointedly?) left for him, and the only things out of place about him are the belt and his age. As long as he acts like he belongs, and not his age (not that he's ever acted his age), nobody gives him a second glance. The gym is apparently one of the places he's cleared for, because his guards take him there without argument.

The gym isn't nearly as impressive as the Cave's, but then what is? Most of his usual exercises don't use equipment anyway. Tim stretches and starts doing his first kata, the familiar feel of the movements flowing smoothly into each other dropping him into a meditative state. After a few unarmed katas he begins working with his staff and the moves Lady Shiva had taught him. He hears a sound and knows that somebody has entered the room, but he continues his workout. He doubts that anybody in this reality is his equal in staffwork.

Teal'c enters his field of vision, holding an oddly shaped staff. Tim nods at him. If you think you can, feel free to join in. Teal'c understands the message and nods back before closing and beginning to spar with him.

Katas are fine if they're all you can do, if you don't have anybody to spar with, but there's nothing like sparring to practice for combat in which the other person is trying their hardest to kill you. Except more of that combat. Personally, Tim prefers sparring; you never know when you might make some small mistake that could be the death of you when your opponent is trying to kill you. Teal'c is good; not Tim's level, not Shiva's, but good enough that Tim can enjoy the experience.

They finish, breathing heavily, and Tim almost blushes at the applause which tells him they aren't alone in the room. Not because he's embarrassed to be observed, but because he was so absorbed in the combat that he hadn't noticed that anybody else had come in.

***

There's no way back. They've tried and retried the mirror device, but it seems to only go to certain universes (presumably, in the others it was never built). Certain universes not including his. His hopes had sunk lower and lower as the months wore on, until finally he gave up. He hadn't gotten here through the mirror, anyway, or via any means he knew of. There had been nothing except the flash of light, no people or alien devices.

However, giving up meant that he can't stay on the base any more. SG-1 invites him to join them, but even though he is no longer Robin (he was almost certain), he still refuses to kill. So he can't. And he doesn't even have his high school diploma yet (not that he hasn't learned everything he would have in school from Batman, but it's the principle of the thing). He wants to get his diploma, but he knows he'll be bored out of his mind if he doesn't have something to do besides the usual. So he's at an impasse when he, in his idle reading of the mission reports they don't think he has access to, comes across mention of a certain clone of Jack's. He does a little mental arithmetic and realizes they're the same age. The next day he makes his proposal.

"Look, I can't stay here forever," he says. "You know it, I know it. I'm never going to get home. Plus, I need to go to school."

"You don't have to," Carter says. "You know as much as most of our scientists."

"Not my point," he says. "I'm willing, even eager, to work here part time. But I need to go to high school. My life is messed up enough without spending time with people my age."

"So what do you want to do?" General O'Neill asks.

"I was reading through your old mission reports-" They look stunned. He raises an eyebrow at them. "Your security is like Swiss cheese compared to what I'm used to dealing with and I was bored. So anyway, I was reading through your old mission reports and apparently Jack is attending Jefferson High school. Which is where I want to go."

The lead-up had apparently been enough because they don't look confused when he says "Jack". "Are you sure?" General O'Neill asks. "You don't have to."

"I know I don't have to," Tim replies. "But I want to. If there aren't any major problems with that?"

"You need somebody to stay with."

"Emancipated minor," Tim suggests. "I have experience living on my own. Shouldn't be a problem. I assume I'll be getting paid enough at my part-time job for that?"

"We can arrange that," General O'Neill says.

***

Jack is easy to spot, even in the crowd. It may have been two years since he thought he actually was Jack O'Neill, but he still moved the same. Maybe a little bit less warily, which was probably a bad idea in these halls. Plus, there was a distinct family resemblance. They had English together, but he wanted a chance to observe Jack in his natural settings, or at least ones that aren't quite so strictly controlled. He doubts he'll ever think of high school as any Jack O'Neill's natural settings.

Jack actually makes overtures of friendship to him in English. Tim thinks it's more natural friendliness and interest in the new guy than desire to be friends, but that doesn't really matter. Bernard had only been interested in the mystery of Tim Drake after all, and he hadn't minded that. He realizes that he's very laid-back about his friendships, but it's difficult to be otherwise when you can't tell anybody about what's most important to you. He's been closer to strangers who don't even know his name (and think he doesn't know theirs) for so long that he isn't sure he knows how to have a relationship without secrets. He has to try.

He allows a couple of days to go by before he invites Jack over, promising pizza and a movie.

"This is where you live?" Jack asks, looking around the room. "It's only a one bedroom. Don't you have parents?"

"No," Tim says. "My mom died four years ago, and my dad died and my stepmother went insane a year ago. And then I came here and the SGC set me up with a new identity as an emancipated minor." And there it was, out in the open for Jack to do whatever with.

Jack almost does a spit-take of his coffee (Tim keeps it in stock for himself, not that he needs extra energy; he can sleep eight hours a night now if he wants to). "The SGC?" he says. "Wait, you came here? From where?"

"Alternate reality," Tim explains. "Apparently I'm fictional here."

"Hate alternate realities," Jack mutters. "At least it's not time travel, though." Tim nods in agreement. Time travel is always a major headache. "So why are you going to school instead of going back?"

"The mirror device can't reach my reality. My original reality," Tim amends.

"I take it since you're telling me about it somebody blabbed?"

Tim shakes his head. "Hacked their computers and read the mission reports."

"Nice," Jack says. "So the clone thing doesn't bother you?"

"My best friend was a clone! Sort of…"

"How can you be sort of a clone?" Jack asks. "Even I know how cloning works, and it's a pretty all-or nothing process."

"It's kind of involved…" Tim says. "Maybe we should order pizza first?"

Secondhand Grief

Tim, of course, has mastered his cell phone. He has one ringtone for Bernard, one for his dad, and another for the general public. Occasionally it rings with a fourth or fifth ringtone, which seem to belong to people who Bernard's never met. He usually wanders off when he gets a call with the fourth ringtone. The fifth usually precedes Tim disappearing for a day and returning with his eyes glowing. Bernard would be afraid of what those calls and disappearances mean, but Tim had told him it's just old friends. Tim may not tell him anything, but he would trust him with his life, with his secrets, with his love.

Tim's phone rings with the fifth ringtone. "Tim Drake," Tim answers it as he always does, even though he knows who the person on the other end is (and presumably they know who he is). There's silence for a few seconds as Tim listens. "Noted," Tim says, and his tone is just…flat. There's no emotion in it. Bernard looks over at him and Tim's face, never very expressive, is a mask, completely blank, not showing a single emotion. "When?" He writes something down, and Bernard sees how stiffly he's moving. "Signing off." Why did he say that? It makes no sense to Bernard; Tim's always been odd, especially on the phone with his old friends, but even he's always said "goodbye", not "signing off". Tim hangs up the phone, and the way that he doesn't relax, doesn't let any of the emotion he must be feeling slip through his mask of skin, tells Bernard not to ask questions.

Tim isn't very good company for the next week. It's like he's on autopilot, going through the motions. When they're in public he pretends to act normal, in the way that Bernard realizes he'd used to act normal back in high school, and he doesn't wonder how he'd ever been fooled. If it weren't for the times they are alone, when Tim drops his mask of cheerfulness to reveal his mask of no emotion, he would be fooled this time, too. It's flattering, to be trusted enough that he drops his outermost mask when they're alone. Both of the masks, now that he can see that they're there, worry Bernard to the core. Something is seriously wrong with Tim, and it began being wrong with that phone call.

Tim doesn't work on his book. At all. Tim had been working on it steadily, as quickly and as perfectly as Tim does everything, but when he got that phone call he stopped completely, as if he can't bear to even think about working on it after whatever news he got in that phone call.

They don't have sex any more. They don't even touch, except incidentally. Bernard wants nothing more than to hug Tim, to take him into his arms and tell him everything's going to be all right until he believes it, until he lets all that emotion out, but when Tim doesn't want to be touched it's like he's set up a sign warning everybody away, one that even Bernard can't help but obey. When they're in bed, they remain on opposite sides, Tim as stiff as a board. Bernard knows that Tim's awake when he goes to sleep and when he wakes up. He worries that Tim isn't getting enough sleep. He hopes something changes soon, because a relationship where you can't speak, where you can't touch, isn't healthy.

On Wednesday, Tim is gone when Bernard wakes up. Bernard trusts Tim, knows that he's the most responsible and capable person on the face of the planet (probably; one of the top 10 for certain), so he doesn't worry. Much more than usual, anyway. Since his usual amount of worry these days is close to panic, he sits at home all day and chews his fingernails to the quick. He can't do anything for more than 10 minutes of time before he becomes impatient and changes the channel or switches magazines. The day drags on, seeming to take forever, and he can't remember a thing he's seen or read, or the invitations to parties he's turned down. Eventually he just curls up on the couch and waits for Tim to return home.

He nods off, and dreams that Tim comes home and wakes him up and kisses him and says "What were you so worried about? I'm right here," and his panic drains away in the warmth of Tim's touch. Then he wakes up for real, and the house is cold and dark and empty and he's still alone. The knock on the door comes again and he goes to answer it, wondering who could be knocking. Tim has a key and nobody else comes by without calling first.

Bernard opens the door, and there's a man supporting a very drunk Tim in a suit which Bernard has never seen before (he doesn't think he'll see it again, either; it's covered in vomit). On the street, Bernard sees a taxi.

"You need to pay the fare," Tim's supporter says. Bernard can't think, can't remember where his wallet is, so he fumbles in Tim's back pocket and pulls a hundred out of his wallet.

"Is this enough?" he asks, and it's obvious that it's more than enough. "Keep the change." He'd pay anything to get Tim back, and he knows Tim won't mind. He gives obscenely large tips all the time, whenever they're treated respectfully on their dates. "Social grease," he says, a gleam in his eye. "We can afford it, and maybe the story of the tip will spread so some other gay couple will get good treatment too. Actions have relevance beyond the immediate."

Bernard leads Tim to the bedroom, supporting most of his weight. It's strange to see him like this; Tim is usually so in control. He barely drinks, and his balance is so good that he sometimes walks on the very edges of roofs without worrying at all, without even worrying Bernard. But tonight Tim is drunk and can't even keep his balance just standing up like a normal person. They reach the bedroom and Bernard undresses Tim, Tim's clumsy efforts to help only hindering him. As Bernard pulls of Tim's socks Tim flops backward onto the bed.

"Alfred was a rock," he says, startling Bernard, who hadn't expected him to talk. "He held us all together."

"Alfred?" Bernard says as unobtrusively as possible, stuffing the suit into a trash bag. Tim can buy a new suit; this one has seen its last.

"Bruce's butler," Tim says. "But he raised Bruce and Dick and Jason. He was the only one who could make everybody stop fighting, make us get together for Christmas no matter what, even if it always had to be offset by a few days once my dad came out of his coma. He was…" Tim blows out a breath. "He was with Bruce for Bruce's whole life, you know? He put up with that for decades. Everybody else went crazy after a few years. I mean, it's Bruce."

Bernard doesn't know who Bruce is, but he doesn't want Tim to stop talking. He needs this, and so does Bernard. He makes an encouraging noise and crawls onto the bed and puts his arms around Tim.

"He…we aren't close to Bruce any more," Tim explains. "Not since we quit. Bruce is hard enough to deal with when you have something to talk about, not that he talks much, but the Mission is his entire life. Hard to talk to somebody when you have nothing in common. Not that's strictly true, but I'm not going to gossip with Bruce. He already knows it all, and who knows what he'd do with any new information you accidentally gave him. But anyway, Alfred could always bring us together, even when Bruce was being himself. Everybody kept in contact with Alfred. I think that everybody who'd ever met him was at his funeral." Tim falls silent, and Bernard tightens his grip to let him know he's there. "I don't know what we're going to do without him," Tim whispers, and that's his breaking point because tears are rolling down his cheeks and he's sobbing, crying like Bernard had never thought he'd see Tim cry, with great racking sobs that come from somewhere deep inside him and move them both, and all Bernard can do is hold him.

"It's going to be all right," he murmurs over and over into Tim's hair, and holds Tim as tightly as Tim holds him after Tim's nightmares.